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AJ Michalka and Alexander Ludwig Cast in White Lotus Season 4

admin79 by admin79
December 20, 2025
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AJ Michalka and Alexander Ludwig Cast in White Lotus Season 4

The White Lotus is set to welcome a new cast of characters for season four, joining the ranks of previous stars including Sydney Sweeney, Aubrey Plaza, Walton Goggins and Natasha Rothwell.

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Watch: ‘White Lotus’ Season 4 Location Revealed? All the Details

A killer new cast is checking into The White Lotus.

Following in the footsteps of Sydney Sweeney, Patrick Schwarzenegger and Jennifer Coolidge, the HBO satire is set to welcome a fresh set of characters for season four—and they’re bringing the nostalgia.

Hunger Games alum Alexander Ludwig and Aly & AJ singer AJ Michalka have officially joined the cast, HBO confirmed Dec. 19. 

As Aly, 34, wrote on her Instagram Story, “Checking in.”

After getting her start on Disney Channel, Aly went on to star in The Lovely Bones, The Goldbergs and, most recently, The Masked Singer—during which she placed third as Strawberry Shortcake in 2024.

As for Alexander—who said he was “so honored” to join White Lotus—the 33-year-old had a long-running role as Bjorn Lothbrok on Vikings for six years. And, like AJ, he too has musical talents, releasing his debut country album Highway 99 in 2022.

Details on their White Lotus roles haven’t been shared.

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In addition to welcoming new faces, the anthology series will also embrace an all-new locale, continuing the trend of setting each season at a fictional hotel in a different location. After following storylines in Hawaii during season one, Italy for season two and Thailand for season three, the next installment will focus on a luxury resort in France, as series alum Parker Posey confirmed to E! News in September.  

And while the Mike White-led dramedy’s incoming stars will be surrounded by lavish amenities during filming, no one will be getting special treatment when it comes to compensation. In June, season three star Jason Isaacs confirmed that each actor receives roughly $40,000 per episode, which he admitted was not a hefty payday.

Alexander Ludwig, AJ Michalka

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“Generally actors don’t talk about pay in public because it’s ridiculously disproportionate to what we do—putting on makeup and funny voices—and just upsets the public,” he told Variety at the time. “But compared to what people normally get paid for big television shows, that’s a very low price.”

Alexander Ludwig, AJ Michalka

Still, the team behind the Emmy-winning franchise explained that giving their performers a level playing field salary-wise is a way to keep the focus on making great TV.

“Everyone is treated the same on White Lotus,” producer David Bernard told The Hollywood Reporter in April. “They get paid the same, and we do alphabetical billing, so you’re getting people who want to do the project for the right reasons.”

Similarly, casting director Meredith Tucker noted that the strategy makes luring the best talent for the murder-mystery series “so much easier.”

“You tell people this is what it is,” she told THR. “And some won’t do it—and honestly, you can’t hold it against people who need to make a living. Our series regulars are pretty much doing this for scale.”

Dying to check in early? Keep reading for everything we know so far about The White Lotus season four…

The White Lotus, season 3
When will the fourth season of The White Lotus premiere?HBO officially renewed The White Lotus for a fourth season in January 2025, weeks before the third season premiered and after series creator Mike White pitched ideas for another go-round of moneyed murder and mayhem.”Mike, obviously—if he wants to move forward and do the four seasons—he will do the fourth season,” HBO CEO Casey Bloys told reporters in November.Production on season four will likely kick off in 2026, according to Variety.
The White Lotus, season 3
Where will The White Lotus‘ fourth season take place?There have been reports that the fourth season is heading to France, with series alum Parker Posey confirming the locale to E! News in September.White and fellow producers had been dropping hints, too.”We’re going on some locations scouting in the next couple of weeks, so we’ll know soon,” executive vice president of HBO Programming Francesca Orsi told Deadline in February. “I can’t really say where we’re going to land but chances are somewhere in Europe.”Chances, she emphasized.There are “some countries on the map that we talked about,” Orsi added, “but nothing to report on until they actually go locations scouting.”White said in an interview for HBO that ran after the April 6 season three finale that he was looking to “get a little bit out of the ‘crashing waves against rocks’ vernacular” for next season.”But,” he added, “there’s always room for more murders at the White Lotus hotels.”White also mentioned Australia as a dream destination while he was in Sydney at the Vivid Festival in June 2023.“It would be so fun,” he said. “Obviously, there’s a huge wealth of talent here and the beauty is inarguable, so it feels like it checks all the boxes.”Really, the possibilities are endless, almost: A body in the snow has yet to be a plot point on the series, but a fancy ski resort may not be in the cards. Producer David Bernad told The Guardian in February, “Mike doesn’t like the cold.”
Alexander Ludwig, AJ Michalka
Which actors will be in The White Lotus season four?The Hunger Games alum Alexander Ludwig and Aly & AJ singer AJ Michalk officially joined the cast, HBO confirmed in December 2025. And it’s possible their characters may have some musical talents, since both stars have released their own albums before.

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The White Lotus season 4 key art
The White Lotus Theme Song May Sound Different in Season 4Cristóbal Tapia de Veer, the Emmy-winning composer behind the White Lotus title themes, will not be back for season four, citing creative disagreements with White dating back to the show’s first season.”It’s kind of weird right now because I announced to the team a few months ago that I was not coming back, that I was leaving,” Tapia de Veer told the New York Times in an interview published April 2. “I didn’t tell Mike for various reasons; I wanted to tell him just at the end for the shock and whatever.” (White did find out before season’s end, he said.)As for the instantly catchy theme music he wrote for season one (that also opened season two), “You see it afterward, and it’s a success,” Tapia de Veer said, “but to get there is quite the struggle” because White “didn’t want the theme.”And no one told him to retool the opener for season three, he said, but he did—much to fans’ loud consternation.
The White Lotus, composer Cristobal Tapia de Veer
“When that came out, I had TMZ calling me, even people from England and from France, because they wanted some kind of statement about the theme,” Tapia de Veer said. “People are furious about the change of the theme, and I thought that was interesting. I texted the producer and I told him that it would be great to, at some point, give them the longer version with the ooh-loo-loo-loos, because people will explode if they realize that it was going there anyway. He thought it was a good idea. But then Mike cut that—he wasn’t happy about that.”The composer added, “I mean, at that point, we already had our last fight forever, I think. So he was just saying no to anything.”On The Howard Stern Show April 8, White called it a “b–ch” move” for Tapia de Veer to air his grievances like that.”I honestly don’t know what happened,” White said, “except now I’m reading his interviews because he decides to do some PR campaign about him leaving the show. I just don’t think he respected me.”They “never really even fought,” the producer continued. “He says we feuded…It was basically me giving him notes.”Their collaboration “did work” during the first two seasons, White said, because they shared ideas. By season three, Tapia de Veer “didn’t want to go through the process with me, he didn’t want to get notes from me, he didn’t want to go to sessions.”And, White added, “He’s definitely making a big deal out of just a creative difference.”
The White Lotus, season 3, Jon Gries
Will Gary Return for Season 4 of The White Lotus?White was pleasantly shocked that Jon Gries, who played Tanya’s mysterious suitor Greg in season one and her calculating husband in season two, agreed to come back to play nefarious widower Gary in season three. But Gries said Gary’s (a.k.a. Greg’s) ship has sailed, as far as he knows.However, that’s what he thought last time.”I don’t think [I’m coming back], but I don’t know so,” he told The Hollywood Reporter after season three ended with Gary’s secret safe for now. “All I can say is, every time I leave, I assume it’s over.”And yet despite the appeal of having all new guests at each resort—”I can burn down the house at the end of every season,” White told The New Yorker, “and start building again”—the show has proved that, if you aren’t dead…”There’s no trying to predict anything Mike White does,” Gries admitted to THR. “I never presumed I’d be in season two. Same for season three. Everything he does has an element of surprise to it. Yes, I would love to come back. But does the book on Greg seem like it’s complete? I can’t tell you.”
The White Lotus, season 2, Jennifer Coolidge
Will The White Lotus Find Some Way for Tanya to Come Back?Short of a White Lotus prequel or multiverse situation, there’s really no vehicle for Jennifer Coolidge‘s Tanya to return except in a flashback or dream sequence. But the hope has remained ever since her unfortunate tumble from a yacht in the season two finale that revealed her to be the premiere’s mystery body after being the only returning character from season one.White has admitted to missing Coolidge’s presence, but hasn’t questioned his decision to kill off the well-intentioned but gullible and obscenely wealthy Tanya.”He sort of sticks to his guns,” Coolidge said of White on E! News in January 2023 after the season two finale. “He’s an amazing friend, but I think he made his decision. He wanted a big, dramatic, Italian, you know, operatic ending for White Lotus 2, and he wanted to sacrifice Tanya.”Confirming she definitely wouldn’t be showing up in Thailand for season three, she told The New Yorker, “I don’t think Tanya’s ever coming back, so I have to live with it.”

Unlocking Agtech innovation

Putting smallholder farmers at the heart of agricultural technologies.

Smallholder farmers are an essential piece of the world’s food production system. As global demand for food rises, agricultural technologies offer new opportunities to increase farming productivity, profitability and environmental sustainability—so why are these farmers being left behind?

Income, equity and environmental impact  

Trisna Mulyati grew up in Aceh, Indonesia, during a period of hostility. For almost 30 years, as the Free Aceh Movement fought for the province’s independence, one of the key issues fanning the flames of the conflict was the distribution of wealth generated by Aceh’s natural resources.

While the conflict was largely focused on oil, natural gas and timber, the questions it raised of income, equity and environmental impact would go on to shape Trisna’s future path. She left home at 17, moving to Bandung to pursue an industrial engineering degree. Even then, Aceh was never far from her mind.  

“I was always thinking about my hometown problems. I got into the best engineering university and deliberately chose a program that offered a systems approach to solving problems,” says Trisna, now a PhD candidate at the UTS Transdisciplinary School.

As her career began, Trisna found herself drawn to the agricultural technology (agtech) sector, inspired in part by her own family’s farming background. Agtech refers to tools, technologies and business models that can improve farming productivity, profitability and environmental sustainability.

But despite agtech’s massive potential, Trisna soon discovered that its benefits weren’t being equally shared among the farming community. 

“Having worked in this space for eight years in both academia and industry, unfortunately I’ve seen small farmers being continuously left behind,” she says.  

It’s a challenge that embodies many of the themes that defined Trisna’s experience of the Aceh conflict: If smallholder farmers are such a central piece of the global farming puzzle, why aren’t they sharing in agtech’s spoils?  

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Trisna

Trisna Mulyati

Doctoral researcher, School of Transdisciplinary Innovation

Conducting fieldwork and data collection in Aceh, Indonesia. (Image: Trisna Mulyati)

Farmers at the forefront of agricultural innovation  

Agriculture is a vital global system, producing the food that sustains human life and driving economic and employment opportunities around the world. Smallholder farmers (those who operate on less than 10 hectares) are an essential cog in the machine: of the world’s 608 million family farms, 85% are smaller than 2 hectares but produce 35% of the world’s food.  

But global demand for food is rising, and so too are the social and environmental impacts associated with contemporary farming. Agtech offers new opportunities to address these challenges by increasing crop yields and profits, improving the environmental outcomes of contemporary farming practices, and preparing farmers for the ongoing challenge of climate change.  

For many smallholder farmers, however, gaining access to these innovations remains a distant dream, even as these technologies offer real opportunities to improve their lives. In part, this is because agtech innovators are often far removed from the farms they’re designing for. In turn, the tools they produce don’t always reflect the needs of farmers, if they even reach them in the first place.  

For Trisna, who spent years working in and around the agriculture sector before landing at UTS, it’s an all-too-familiar challenge. With no viable solution in sight, she decided to take matters into her own hands.  

“My research explores how these smallholders can be better included in the increasing trend of technology advancement and neo-rural entrepreneurship.  This isn’t necessarily about developing new agtech tools, but about accessible and relevant innovation adaptation, implementation, and ultimately diffusion,” she says.

Bridging this gap means bringing innovators, farmers and intermediaries together to rethink the role of agritech at the smallholder scale. The goal is to enable conversations and partnerships in which farmers are central to the development of solutions that benefit farming communities, the agriculture system and the environment alike.  

“There’s enormous potential for technology-driven growth, but agtech start-ups need to go-beyond fly-in, fly-out models. Farmers need long-tern partnerships, not one-time interventions,” Trisna says.

608M

Family farms around the world


What is AgTech?

AgTech, short for agricultural technology, is the use of innovative tools and data-driven solutions to make farming more efficient, sustainable and profitable. From precision sensors and smart irrigation to automated harvesting, AgTech is transforming how we grow and produce food around the world.


We need an approach where the farmer’s point of view is better understood. It’s about creating change with access to relevant innovations, entrepreneurial pathways and more sustainable livelihoods.

 Trisna Mulyati

Presenting research
Presenting and sharing research insights at an international conference. (Image: Trisna Mulyati)

Rethinking global farming practices  

Despite the global scale of the problem, Trisna’s approach has been to start small, focusing on smallholder farmers in Indonesia. In her first year, she conducted extensive fieldwork and data collection in four provinces in Indonesia: Jakarta, West Java, Bali and Aceh.  

She and her collaborators interviewed 131 agtech stakeholders, including farmers, startups, NGOs, companies and governments to better understand the gap between agtech innovation and application. What do farmers want and need from agtech? How can innovators translate these wants and needs into meaningful, usable and sustainable solutions?  

As Trisna had suspected, getting innovators and farmers in the room together turned out to be a crucial step.  

25-30%

of global greenhouse gas emissions come from food systems

We were able to connect agtech actors who otherwise might never have really talked to each other. Being aware of and [understanding] how to handle the existing tensions between different [stakeholder] perspectives in the agriculture innovation system is really important here

 Trisna Mulyati

The research is still in its early stages, but already, Trisna and her collaborators have produced a series of findings that are pointing both innovators and farmers in the right direction.

This includes the creation of 10 best practices for agtech startups that reinforce the need to work closely with smallholder farmers. Among them are on-farm demonstrations of agtech tools, collaborations that enable effective farm financing and prioritising farmer return on investment.

Equitable access drives sustainable change

Already, these efforts are enabling more equitable access to agtech among smallholder farmers, leading to visible shifts towards more sustainable farming outcomes. These include small changes that create new income streams, reduce environmental impacts and build stronger farming networks.

“The work is already creating change, like supporting women farmers to move from wood-fired cooking to cleaner technologies and turning everyday farm waste into natural fertiliser that can be sold,” Trisna says.  

“I’ve also seen new collaboration initiatives and innovation models being discussed, planned and implemented. For example, I’m now informally advising a social enterprise in Aceh that is building a regenerative farmers hub.”

Trisna’s work might currently be based in Indonesia, but her vision is for a sustainable agricultural system that will be reordered to meet the needs of smallholder farmers around the world. And she’s already on the way: while the research is still in its early stages, it offers a potent glimpse of how opening the door to innovation for the game’s smallest players can lead to outsized benefits for us all.

At UTS, Trisna Mulyati is building a greener, more equitable global farming system. Because it’s not just a university – it’s a partner for a more sustainable future. What can we be for you?

It's not just a university, it's a partner for sustainable future

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Turning challenges into change for a sustainable future

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Contact us

At TD Research, we don’t just study problems – we work across disciplines and public and private sectors to co-create solutions and navigate positive paths forward. Our approach blends systems science, socio-cultural insight and design-led innovation to tackle challenges that no single field can solve alone. This is one of our competitive advantages and what makes us so unique.

By partnering with us, you gain access to a world-class team that’s skilled in navigating complexity, fostering collaboration and turning bold ideas into actionable strategies. Together, we can shape a more inclusive, resilient and forward-looking society.

To learn more and to see how TD Research can help you and your organisation, email TDResearch@uts.edu.au.

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